August 20, 2013
“The Boss of it All (…) makes a seamless transition to the stage. (…) it’s a very funny exploration of authority, identity and our need for affirmation.” – The Scotsman ****
http://www.edinburgh-festivals.com/blog/2013/08/14/theatre-reviews-the-b...
“ (…) a play asking very interesting questions about the nature of leadership and its intersection with responsibility versus anonymity (…) The ending itself, surreal and unexpected, is the perfect conclusion to a show of the highest standard.” – edfringereview.com *****
http://edfringereview.com/r/UfFTBhQsTu6qwj2WXDx6yg
“All office comedy is inevitably concerned with the challenge of being a popular boss; the difficulty of integrating while in charge. The wit and imagination behind The Boss of It All, however, make it completely refreshing. (…) It's a joy to watch and, for my money, the best office comedy on at the Fringe this year.” – broadwaybaby.com ****
http://www.broadwaybaby.com/listing.php?id=19812
“Danish master of provocation Lars Von Trier’s first comedy, 2006’s The Boss of It All, is perfect for a theatre adaptation: simple to stage, strongly character-driven, shot through with sardonic meta-commentary on the pretentiousness of actors and the conventions of directing. And it’s funny as hell. – festmag.co.uk ****
https://www.festmag.co.uk/theatre/101944-the_boss_it_all
“(…) there’s a lot of fun to be had along the way, with a strong cast led by Gerry Howell (…)” – The Stage
http://ed.thestage.co.uk/reviews/1712
“As one might expect, this is a witty intellectual game that has hidden layers and challenges audience members to take their own positions through a series of moral exercises.” – britishtheatreguide.info ***
http://www.britishtheatreguide.info/reviews/the-boss-of-it-assembly-roxy...